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Mr. Henderson has been dead forty-two years. He only lived three months after he married Aunt Adeline, and her crêpe veil is over a yard long yet. Men are the dust under her feet, but she likes Dr. John to come over and sit with us, because she can consult with him about what Mr. Henderson really died of, and talk with him about the sad state of poor Mr. Carter's liver for a year before he died. I just go on rocking Billy and singing hymns to him in such a way that I can't hear the conversation. Mr. Carter's liver got on my nerves alive, and dead it does worse. But it hurts when the doctor has to take the little sleep-boy out of my arms to carry him home; though I like it when he says under his breath, "Thank you, Molly.",

Lastly Etwald. It is difficult to describe the indescribable. He was austere in face, like Dante, with hollow cheeks, and a pallid hue which told of midnight studies. If he had passions, they could not be discerned in his features. Eye and mouth and general expression were like a mask. What actually lay behind that mask no one ever knew, for it was never off. His slightly hollow chest, his lean and nervous hands, and a shock of rather long, curling hair, tossed from a high forehead, gave Etwald the air of a student. But there was something sinister and menacing in his regard. He looked dangerous and more than a trifle uncanny. Physically, mentally, morally he was an enigma to the bovine inhabitants of Deanminster and Hurstleigh.,

"Well, yes. Miss Dallas," returned he, with much deliberation. "I am' satisfied, for the time being.",

"And also loved by Mr. Sarby," said the doctor, coolly.

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"There she is," she said ardently. "You can't deny, Elinor, that she's terribly good to look at. Why, the very way she manipulates that frilly napkin reconciles me to my food. I declare I'm twice as hungry as I was before.",

"Hang it!" soliloquized Maurice over his book, "since yesterday everything seems to have gone wrong. That negress and Dr. Etwald are at the bottom of affairs. But I can't see their reasons for mixing things up so.",

Judith, with her cheeks flushing and paling and her composed tones carrying conviction, laid the story of her discoveries before them, telling them how she had thought of it first "for fun, like a plot for a story," and then how she had remembered that Doris Leighton had Elinor's keys with access to the locker where the two studies for the prize designs were left that night that Elinor was taken ill; how she had discovered through Doris' younger sister that Doris had made her study for the Roberts prize from a little rough color sketch "just like Elinor had.",

"She's rattled for fear she won't take the prize as usual," she said, gayly. "I bet she opens her eyes when she sees yours, Norn. Hers may be lots better done, but it simply can't be as lovely and as different."